{"id":3300,"date":"2025-11-11T09:34:24","date_gmt":"2025-11-11T09:34:24","guid":{"rendered":"https:\/\/catedratelefonicauma.es\/?page_id=3300"},"modified":"2026-03-05T06:39:32","modified_gmt":"2026-03-05T06:39:32","slug":"the-generative-curation-symposium-28-to-29-january-2026-malaga-spain","status":"publish","type":"page","link":"https:\/\/catedratelefonicauma.es\/en\/the-generative-curation-symposium-28-to-29-january-2026-malaga-spain\/","title":{"rendered":"Generative Curation Symposium"},"content":{"rendered":"<div class='clear'><\/div><div id='sub_menu1'  class='av-submenu-container av-2w0gqmc-82084585e52b1022427e2209c89a0fcc main_color  avia-builder-el-0  el_before_av_section  avia-builder-el-first  sticky-menu av-sticky-submenu container_wrap sidebar_right' style='z-index:301' ><div class='container av-menu-mobile-disabled av-submenu-pos-center'><ul id='av-custom-submenu-1' class='av-subnav-menu' role='menu'>\n<li class='menu-item av-a6n8as-70458c0be748222510170cedfbbd66f0 menu-item-top-level menu-item-top-level-1' role='menuitem'><a href='#Symposium-Concept'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Symposium Concept<\/span><\/a><\/li>\n<li class='menu-item av-2rquh44-10400387e3420e45fe6ca5a9226efc1f menu-item-top-level menu-item-top-level-2' role='menuitem'><a href='#CFC'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Call For Contributions<\/span><\/a><\/li>\n<li class='menu-item av-zcsg4-374bf535b1afd4f4f21e07da2171eae4 menu-item-top-level menu-item-top-level-3' role='menuitem'><a href='#Defining-Generative-Curation'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Defining Generative Curation<\/span><\/a><\/li>\n<li class='menu-item av-2p8nays-5372dca8bd54c00d6827f6a8fa533911 menu-item-top-level menu-item-top-level-4' role='menuitem'><a href='#Symposium-Focus'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Symposium Focus<\/span><\/a><\/li>\n<li class='menu-item av-9ixqzo-747c6a62bc44d1b1f7c6b5e6bbf38dd0 menu-item-top-level menu-item-top-level-5' role='menuitem'><a href='#Submission-Guidelines'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Submission Guidelines<\/span><\/a><\/li>\n<li class='menu-item av-2kzf6pw-d62a40ae85c9ef59d4a4c8c62c1c2982 menu-item-top-level menu-item-top-level-6' role='menuitem'><a href='#Program'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Program<\/span><\/a><\/li>\n<li class='menu-item av-2jjb450-2c4c0f7b8364c3f956802395a84b248e menu-item-top-level menu-item-top-level-7' role='menuitem'><a href='#Organization'  ><span class='avia-bullet'><\/span><span class='avia-menu-text'>Organization<\/span><\/a><\/li>\n<\/ul><\/div><\/div><div class='sticky_placeholder'><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2hy82no-4feac08525b6ac0ddb3aa61e0f689c51\">\n.avia-section.av-2hy82no-4feac08525b6ac0ddb3aa61e0f689c51 .av-parallax .av-parallax-inner{\nbackground-color:#4f4f4f;\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/GCS-new-top-bg-2.png), linear-gradient( to bottom, #4f4f4f, #303030 );\nbackground-position:50% 50%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_1'  class='avia-section av-2hy82no-4feac08525b6ac0ddb3aa61e0f689c51 main_color avia-section-small avia-no-border-styling  avia-builder-el-1  el_after_av_submenu  el_before_av_section  gcs-gray-typo av-parallax-section avia-bg-style-parallax container_wrap sidebar_right'  data-section-bg-repeat='no-repeat'><div class='av-parallax' data-avia-parallax-ratio='0.3' ><div class='av-parallax-inner main_color avia-full-stretch'><\/div><\/div><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-3300'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-2gxx26s-531ff931bbba7e9be95a185e3d3c7c37 sc-av_one_half av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2gxx26s-531ff931bbba7e9be95a185e3d3c7c37\">\n.flex_column.av-2gxx26s-531ff931bbba7e9be95a185e3d3c7c37{\nwidth:48.5%;\nmargin-left:0;\n}\n#top .flex_column_table.av-equal-height-column-flextable.av-2gxx26s-531ff931bbba7e9be95a185e3d3c7c37 .av-flex-placeholder{\nwidth:3%;\n}\n<\/style>\n<div  class='flex_column av-2gxx26s-531ff931bbba7e9be95a185e3d3c7c37 av_one_half  avia-builder-el-2  el_before_av_two_fifth  avia-builder-el-first  first flex_column_table_cell av-equal-height-column av-align-middle av-animated-generic left-to-right'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2ezrc9g-99d7f3300da9be94c19f6d7626a42c07\">\n.avia-image-container.av-2ezrc9g-99d7f3300da9be94c19f6d7626a42c07 img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-2ezrc9g-99d7f3300da9be94c19f6d7626a42c07 .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-2ezrc9g-99d7f3300da9be94c19f6d7626a42c07 av-styling- avia-align-center  avia-builder-el-3  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3420 avia-img-lazy-loading-not-3420 avia_image' src=\"https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/GCS-new-left-2.png\" alt='Debates Around Archival and Exhibition Practices' title='The Generative Curation Symposium'  height=\"537\" width=\"751\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/GCS-new-left-2.png 751w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/GCS-new-left-2-300x215.png 300w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/GCS-new-left-2-260x185.png 260w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/GCS-new-left-2-705x504.png 705w\" sizes=\"(max-width: 751px) 100vw, 751px\" \/><\/div><\/div><\/div><\/div><div class='av-flex-placeholder'><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2cn757o-d2e3efb322c9d3429dc6297228740418\">\n.flex_column.av-2cn757o-d2e3efb322c9d3429dc6297228740418{\nwidth:38.2%;\nmargin-left:0;\n}\n#top .flex_column_table.av-equal-height-column-flextable.av-2cn757o-d2e3efb322c9d3429dc6297228740418 .av-flex-placeholder{\nwidth:3%;\n}\n<\/style>\n<div  class='flex_column av-2cn757o-d2e3efb322c9d3429dc6297228740418 av_two_fifth  avia-builder-el-4  el_after_av_one_half  avia-builder-el-last  flex_column_table_cell av-equal-height-column av-align-middle av-animated-generic right-to-left'     ><p>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2bnga1w-d882eb7b8ce2e43208481adf6fdc4801\">\n#top .av-special-heading.av-2bnga1w-d882eb7b8ce2e43208481adf6fdc4801{\npadding-bottom:10px;\n}\nbody .av-special-heading.av-2bnga1w-d882eb7b8ce2e43208481adf6fdc4801 .av-special-heading-tag .heading-char{\nfont-size:25px;\n}\n.av-special-heading.av-2bnga1w-d882eb7b8ce2e43208481adf6fdc4801 .av-subheading{\nfont-size:15px;\n}\n<\/style>\n<div  class='av-special-heading av-2bnga1w-d882eb7b8ce2e43208481adf6fdc4801 av-special-heading-h1 blockquote modern-quote  avia-builder-el-5  el_before_av_textblock  avia-builder-el-first'><h1 class='av-special-heading-tag'  itemprop=\"headline\"  >Debates Around Archival and Exhibition Practices<\/h1><div class=\"special-heading-border\"><div class=\"special-heading-inner-border\"><\/div><\/div><\/div><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2aixawk-26bcb40e5e017d87ea1917812aac874e\">\n#top .av_textblock_section.av-2aixawk-26bcb40e5e017d87ea1917812aac874e .avia_textblock{\nfont-size:14px;\ncolor:#ffffff;\n}\n<\/style>\n<section  class='av_textblock_section av-2aixawk-26bcb40e5e017d87ea1917812aac874e'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><p style=\"text-align: left;\">Organised by the Center for Digital Visual Studies, the Bibliotheca Hertziana - Max Planck Institute for Art History, the Chair on 5G, Digital Culture and Next-Generation Technologies for Society, and the iArtHis_Lab, University of M\u00e1laga<\/p>\n<\/div><\/section><\/p><\/div><\/div><!--close column table wrapper. Autoclose: 1 -->\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_2'  class='avia-section av-80fq9w-57f4543f6aa433eab4466dca3606c1f5 main_color avia-section-large avia-no-border-styling  avia-builder-el-7  el_after_av_section  el_before_av_section  gcs-gray avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-3300'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-273j7s4-a54385f5de6826456ab5350459d519b6\">\n.flex_column.av-273j7s4-a54385f5de6826456ab5350459d519b6{\npadding:40px 0 0 0;\n}\n<\/style>\n<div  id=\"Symposium-Concept\"  class='flex_column av-273j7s4-a54385f5de6826456ab5350459d519b6 av_one_full  avia-builder-el-8  el_before_av_one_full  avia-builder-el-first  first flex_column_div'     ><section  class='av_textblock_section av-25q05ys-0e96b2db4ad3881b12e3bdb49321f90c'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"heading-line\">Relevant Information<\/h2>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-23pcn0k-b74316c462cc4a318fd71b562c8b98b7'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Symposium dates<\/strong>: 28-29 January, 2026 (see the program below)<\/p>\n<p><strong>Venue<\/strong>: Centre Pompidou M\u00e1laga (Pasaje Doctor Carrillo Casaux, s\/n, 29016. Muelle 1. Port of M\u00e1laga)<\/p>\n<p><strong>Scientific Coordination<\/strong>: Dar\u00edo Negueruela del Castillo (DVS) and Nuria Rodr\u00edguez-Ortega (UMA)<\/p>\n<p><strong>Technical secretariat<\/strong>Irene L\u00f3pez Lobato (UMA)<\/p>\n<p><strong>Organized by<\/strong>Telef\u00f3nica-UMA Chair (5G, Digital Culture and Next-Generation Technologies for Society); Center for Digital Visual Studies; Bibliotheca Hertziana - Max Planck Institute for Art History; The Complexhibit Project; iArtHis_Lab <a href=\"https:\/\/iarthis.iarthislab.eu\/\">(<\/a>University of M\u00e1laga).<\/p>\n<p><strong>In collaboration with<\/strong>: Centre Pompidou Malaga<\/p>\n<p><strong>With the support of<\/strong>MDSCA (Master in Social Developments of Artistic Culture-UMA), Spanish Committee for Art History (CEHA)<\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-6lkvs4-cd66030c148c3e05189bb5bb13513ef7\">\n.flex_column.av-6lkvs4-cd66030c148c3e05189bb5bb13513ef7{\npadding:40px 0 0 0;\n}\n<\/style>\n<div  id=\"Symposium-Concept\"  class='flex_column av-6lkvs4-cd66030c148c3e05189bb5bb13513ef7 av_one_full  avia-builder-el-11  el_after_av_one_full  avia-builder-el-last  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-4modck-1827b659f0e0d1c298bea43bf05262cf'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"heading-line\">Symposium Concept<\/h2>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-2hjvn8-0ab8d086a6a7d896c19aff0c964129e9'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The Generative Curation Symposium explores if and how Artificial Intelligence (AI) questions, reshapes, and intersects the practice of curation in its broadest sense-encompassing both the narrative construction of exhibitions and the organisation and interpretation of archives. This symposium aims to gather scholars, art practitioners, curators, PhD researchers, and other reflexive voices to critically examine the integration of AI within the world of art and cultural heritage and its institutions. We stand at a pivotal moment where machines can augment and, in some cases, even autonomously perform curatorial tasks previously reserved for human experts. This gathering will delve into the questions, challenges, risks, and opportunities this new reality presents.<\/p>\n<p>This symposium seeks to foster a reflective dialogue, contextualizing current developments within broader frameworks from the humanities and the digital humanities, with a focus on curatorial studies, digital visual studies, art history, and technology in the GLAM sector. We welcome contributions in the form of research papers, case studies, artistic projects, and theoretical explorations that offer original insights into AI's application in curatorial practices.<\/p>\n<\/div><\/section><\/p><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-211c2ac-1a9ef2ea89c0c2cf90f0c9d7cecccfb3\">\n.avia-section.av-211c2ac-1a9ef2ea89c0c2cf90f0c9d7cecccfb3{\nbackground-color:rgba(237,223,234,0.9);\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/GCS-new-keynote-bg-2.png), linear-gradient( to bottom right, rgba(237,223,234,0.9), #f4d4ee, #e2e2e2 );\nbackground-position:0% 50%;\nbackground-attachment:fixed;\n}\n<\/style>\n<div id='av_section_3'  class='avia-section av-211c2ac-1a9ef2ea89c0c2cf90f0c9d7cecccfb3 main_color avia-section-large avia-no-border-styling  avia-builder-el-14  el_after_av_section  el_before_av_section  gcs-gray avia-bg-style-fixed container_wrap sidebar_right'  data-section-bg-repeat='no-repeat'><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-3300'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-1zur53o-3823ec9c8bc980271f05c51b4dbac38f sc-av_one_fourth av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1zur53o-3823ec9c8bc980271f05c51b4dbac38f\">\n.flex_column.av-1zur53o-3823ec9c8bc980271f05c51b4dbac38f{\nwidth:22.75%;\nmargin-left:0;\n}\n#top .flex_column_table.av-equal-height-column-flextable.av-1zur53o-3823ec9c8bc980271f05c51b4dbac38f .av-flex-placeholder{\nwidth:3%;\n}\n<\/style>\n<div  class='flex_column av-1zur53o-3823ec9c8bc980271f05c51b4dbac38f av_one_fourth  avia-builder-el-15  el_before_av_three_fourth  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alt='' title='SONY DSC'  height=\"300\" width=\"200\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/JK_half_body-200x300.jpg 200w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/JK_half_body-685x1030.jpg 685w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/JK_half_body-768x1154.jpg 768w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/JK_half_body-1022x1536.jpg 1022w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/JK_half_body-1363x2048.jpg 1363w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/JK_half_body-8x12.jpg 8w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/JK_half_body-998x1500.jpg 998w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/JK_half_body-469x705.jpg 469w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/JK_half_body-scaled.jpg 1704w\" sizes=\"(max-width: 200px) 100vw, 200px\" \/><\/div><\/div><\/div><\/div><div class='av-flex-placeholder'><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1w90cyc-76a36f95d59aad5321b94c22308cc704\">\n.flex_column.av-1w90cyc-76a36f95d59aad5321b94c22308cc704{\nwidth:74.25%;\nmargin-left:0;\n}\n#top .flex_column_table.av-equal-height-column-flextable.av-1w90cyc-76a36f95d59aad5321b94c22308cc704 .av-flex-placeholder{\nwidth:3%;\n}\n<\/style>\n<div  class='flex_column av-1w90cyc-76a36f95d59aad5321b94c22308cc704 av_three_fourth  avia-builder-el-17  el_after_av_one_fourth  el_before_av_one_fourth  flex_column_table_cell av-equal-height-column av-align-middle'     ><section  class='av_textblock_section av-1v0phtw-499726e03d9013e85aa76ad4bbb7eb68'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"heading-line\">Keynote \/ Joasia Krysa<\/h2>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-1srjgxg-fcae071391da472cfe0a32987cf9986f'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Professor Joasia Krysa is a curator and scholar working at the intersection of<span class=\"v1apple-converted-space\">\u00a0<\/span>contemporary art, technology, and curatorial studies.<span class=\"v1apple-converted-space\">\u00a0<\/span>She holds a position of Professor of Exhibition Research and Director of the Institute of Art and Technology at Liverpool School of Art and Design, Liverpool John Moores University. She served as Chief Curator of Helsinki Biennial 2023, and co-curator of Liverpool Biennial 2016 and dOCUMENTA 13 (2012). Her work was presented at institutions including The Whitney Museum of American Art (New York), KANAL Centre Pompidou (Brussels), ZKM Center for Art and Media (Karlsruhe), Helsinki Art Museum, and Tate Modern (London). Publications include co-edited books\u00a0<i>Curating Intelligences: A Reader on AI and Future Curating<\/i>\u00a0(Open Humanities Press 2025),<span class=\"v1apple-converted-space\">\u00a0<\/span><i>Helsinki Biennial: New Directions May Emerge<\/i>\u00a0(Helsinki Art Museum 2023),<span class=\"v1apple-converted-space\">\u00a0<\/span><i>Writing and Unwriting (Media) Art History<\/i><span class=\"v1apple-converted-space\">\u00a0<\/span>(MIT Press 2015), chapters in\u00a0<i>Bloomsbury Encyclopaedia of New Media Art<\/i>\u00a0(2024), and forthcoming book<span class=\"v1apple-converted-space\">\u00a0<\/span><i>The Routledge Companion to Art and Technology.\u00a0<\/i><\/p>\n<\/div><\/section><\/p><\/div><\/div><!--close column table wrapper. Autoclose: 1 --><div  class='flex_column av-8tryys-1866df1d781288e965d4c75c5f5a4da1 av_one_fourth  avia-builder-el-20  el_after_av_three_fourth  el_before_av_three_fourth  first flex_column_div  column-top-margin'     ><\/div><div  class='flex_column av-7wf9no-c6d945e1ce72f33a687ee72192999b31 av_three_fourth  avia-builder-el-21  el_after_av_one_fourth  avia-builder-el-last  flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-mkv0bdra-0adf46a1910402aa80b47c2758c5e612'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Abstract<\/strong>: <em><strong>Curating After AI - histories and futures of computational curating<\/strong><\/em>.  Curating After AI examines interconnection between contemporary curating and artificial intelligence. The keynote presentation proposes \u00abcurating after AI\u00bb as a framework for rethinking curatorial epistemology and agency, suggesting curating must now reckon with computational systems as co-constitutive of how knowledge is produced, organised, and mediated. It traces a historical lineage of computational curating from early web-based experiments in the 1990s through to my own concept of \u00absoftware curating\u00bb in the mid-2000s, and curatorial processes which become infrastructural. Building on this history, the talk discusses emerging curatorial approaches that apply AI to curatorial practice, including my recent collaborative project The Next Biennial Should Be Curated by a Machine. These case studies foreground co-curation, human-machine learning, public participation, and institutional critique, demonstrating how AI systems can function as curatorial agents. Ultimately, Curating After AI argues that engaging with machine intelligence redirects attention away from artworks alone toward the institutional systems and epistemologies that demonstrate potential to shape curatorial practice. By engaging with the unknown, the alien, and the more-than-human, curating can open new spaces of possibility for collective, distributed forms of curatorial intelligence shared across humans, machines, and others.<\/p>\n<\/div><\/section><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-5i19s4-8ffeb513dbcf6532b1c09af09ca7a675\">\n.avia-section.av-5i19s4-8ffeb513dbcf6532b1c09af09ca7a675{\nbackground-color:rgba(237,223,234,0.9);\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/GCS-new-keynote-bg-2.png), linear-gradient( to bottom right, rgba(237,223,234,0.9), #f4d4ee, #e2e2e2 );\nbackground-position:0% 50%;\nbackground-attachment:fixed;\n}\n<\/style>\n<div id='av_section_4'  class='avia-section av-5i19s4-8ffeb513dbcf6532b1c09af09ca7a675 main_color avia-section-large avia-no-border-styling  avia-builder-el-23  el_after_av_section  el_before_av_section  gcs-gray avia-bg-style-fixed container_wrap sidebar_right'  data-section-bg-repeat='no-repeat'><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-3300'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-4nvvpg-1d68ebedc571a4b702576d7b65aaf84a sc-av_one_fourth av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-4nvvpg-1d68ebedc571a4b702576d7b65aaf84a\">\n.flex_column.av-4nvvpg-1d68ebedc571a4b702576d7b65aaf84a{\nwidth:22.75%;\nmargin-left:0;\n}\n#top .flex_column_table.av-equal-height-column-flextable.av-4nvvpg-1d68ebedc571a4b702576d7b65aaf84a .av-flex-placeholder{\nwidth:3%;\n}\n<\/style>\n<div  class='flex_column av-4nvvpg-1d68ebedc571a4b702576d7b65aaf84a av_one_fourth  avia-builder-el-24  el_before_av_three_fourth  avia-builder-el-first  first flex_column_table_cell av-equal-height-column av-align-middle'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mkcu04wo-32ee3c61082a86d5a76e85980668559a\">\n.avia-image-container.av-mkcu04wo-32ee3c61082a86d5a76e85980668559a img.avia_image{\nbox-shadow:none;\n}\n.avia-image-container.av-mkcu04wo-32ee3c61082a86d5a76e85980668559a .av-image-caption-overlay-center{\ncolor:#ffffff;\n}\n<\/style>\n<div  class='avia-image-container av-mkcu04wo-32ee3c61082a86d5a76e85980668559a av-styling- avia-align-center  avia-builder-el-25  avia-builder-el-no-sibling'   itemprop=\"image\" itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/ImageObject\" ><div class=\"avia-image-container-inner\"><div class=\"avia-image-overlay-wrap\"><img decoding=\"async\" fetchpriority=\"high\" class='wp-image-3606 avia-img-lazy-loading-not-3606 avia_image' src=\"https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/Terence-Broad-Artist-Shot-cropped-300x300.jpg\" alt='' title='Terence-Broad-Artist-Shot-cropped'  height=\"300\" width=\"300\"  itemprop=\"thumbnailUrl\" srcset=\"https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/Terence-Broad-Artist-Shot-cropped-300x300.jpg 300w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/Terence-Broad-Artist-Shot-cropped-80x80.jpg 80w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/Terence-Broad-Artist-Shot-cropped-768x768.jpg 768w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/Terence-Broad-Artist-Shot-cropped-12x12.jpg 12w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/Terence-Broad-Artist-Shot-cropped-36x36.jpg 36w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/Terence-Broad-Artist-Shot-cropped-180x180.jpg 180w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/Terence-Broad-Artist-Shot-cropped-705x705.jpg 705w, https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/01\/Terence-Broad-Artist-Shot-cropped.jpg 890w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/div><\/div><\/div><\/div><div class='av-flex-placeholder'><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-2fbaes-89d4a6b23df01845e2bcc1f9ab6ba989\">\n.flex_column.av-2fbaes-89d4a6b23df01845e2bcc1f9ab6ba989{\nwidth:74.25%;\nmargin-left:0;\n}\n#top .flex_column_table.av-equal-height-column-flextable.av-2fbaes-89d4a6b23df01845e2bcc1f9ab6ba989 .av-flex-placeholder{\nwidth:3%;\n}\n<\/style>\n<div  class='flex_column av-2fbaes-89d4a6b23df01845e2bcc1f9ab6ba989 av_three_fourth  avia-builder-el-26  el_after_av_one_fourth  el_before_av_one_fourth  flex_column_table_cell av-equal-height-column av-align-middle'     ><section  class='av_textblock_section av-mkcu0xnj-297b63f9d286975239881f6feee4413e'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"heading-line\">Keynote \/ Terence Broad<\/h2>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-mkcu14hy-448d44fd246afb3053bb591445be11ab'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Dr. Terence Broad is an artist and researcher working in London. He is a Senior Lecturer at the UAL Creative Computing Institute and holds a PhD from Goldsmiths, University of London. His research-led practice takes a hacking approach to working with generative neural networks that treats them as artistic materials. He has built frameworks that allow for the expressive manipulation of generative neural networks and developed data-free approaches to training and configuring neural networks that open up new possibilities beyond the conventional imitation-based learning. His art and research have been presented internationally: at conferences and journals such as SIGGRAPH, Leonardo, NeurIPS, and ICCC; and museums such as The Whitney Museum of American Art, Garage Museum of Contemporary Art, Ars Electronica, The Barbican and The Whitechapel Gallery. In 2019 He won the Grand Prize in the ICCV Computer Vision Art Gallery. His work is in the city of Geneva's contemporary art collection.<\/p>\n<\/div><\/section><\/p><\/div><\/div><!--close column table wrapper. Autoclose: 1 --><div  class='flex_column av-5rjs10-354436e24df3f1f41d0c077c4f4c3c49 av_one_fourth  avia-builder-el-29  el_after_av_three_fourth  el_before_av_three_fourth  first flex_column_div  column-top-margin'     ><\/div><div  class='flex_column av-4ylwb8-c143f6cd7e197a8d60e59785c0d68e6d av_three_fourth  avia-builder-el-30  el_after_av_one_fourth  avia-builder-el-last  flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-1w425g-9f03124d3675fb998212d646781b7d98'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p><strong>Abstract<\/strong>: <span style=\"font-weight: 400;\"><strong><em>AI as artistic material<\/em><\/strong>. <\/span>Generative neural networks produce media through a complex fabric of computation, contingent on large scraped datasets, where features and representations get encoded into the weights of unfathomably large data arrays, which in turn are enmeshed through complex chains of computation. The ease and realism through which this generated media is mass-produced and its almost uncanny flawlessness makes it easy to forget the complex computational contingencies that produce it. This talk will show how treating these vast computational processes as artistic materials, by making targeted interventions to inputs, weights, training and inference of generative neural networks, artists are able to make critical works that reveal to us otherwise unseen aspects of these models, where the artworks themselves present new ways of understanding and making sense of these unfathomably complex computational systems.<\/p>\n<div><\/div>\n<\/div><\/section><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_5'  class='avia-section av-1s2a1qc-e80d1a80d01e83562c46bb628fbcc55f main_color avia-section-large avia-no-border-styling  avia-builder-el-32  el_after_av_section  el_before_av_section  gcs-gray-cfp gcs-gray-typo-right avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-3300'><div class='entry-content-wrapper clearfix'>\n<div class='flex_column_table av-65olxg-15ce2a30a3b73ca95d5c35ff1ff808cd sc-av_one_half av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-65olxg-15ce2a30a3b73ca95d5c35ff1ff808cd\">\n#top .flex_column_table.av-equal-height-column-flextable.av-65olxg-15ce2a30a3b73ca95d5c35ff1ff808cd{\nmargin-top:30px;\nmargin-bottom:20px;\n}\n.flex_column.av-65olxg-15ce2a30a3b73ca95d5c35ff1ff808cd{\nwidth:46%;\nmargin-left:0;\n}\n#top .flex_column_table.av-equal-height-column-flextable.av-65olxg-15ce2a30a3b73ca95d5c35ff1ff808cd .av-flex-placeholder{\nwidth:8%;\n}\n<\/style>\n<div  id=\"CFC\"  class='flex_column av-65olxg-15ce2a30a3b73ca95d5c35ff1ff808cd av_one_half  avia-builder-el-33  el_before_av_one_half  avia-builder-el-first  first flex_column_table_cell av-equal-height-column av-align-middle'     ><style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1p2vnx0-6175a5cdd8a12e8d27eef3fd31a4a8f9\">\n#top .av_textblock_section.av-1p2vnx0-6175a5cdd8a12e8d27eef3fd31a4a8f9 .avia_textblock{\ncolor:#ffffff;\n}\n<\/style>\n<section  class='av_textblock_section av-1p2vnx0-6175a5cdd8a12e8d27eef3fd31a4a8f9'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><h1 style=\"font-size: 2.5em;\">Call for Contributions<\/h1>\n<\/div><\/section><br \/>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-5t8fo4-4944b35002c9ac06bb4817d57806b62f\">\n#top .hr.hr-invisible.av-5t8fo4-4944b35002c9ac06bb4817d57806b62f{\nheight:20px;\n}\n<\/style>\n<div  class='hr av-5t8fo4-4944b35002c9ac06bb4817d57806b62f hr-invisible  avia-builder-el-35  el_after_av_textblock  el_before_av_button'><span class='hr-inner'><span class=\"hr-inner-style\"><\/span><\/span><\/div><br \/>\n<div  class='avia-button-wrap av-1keb7es-b8736886897dc07f79be792fdfb3cd3f-wrap avia-button-right  avia-builder-el-36  el_after_av_hr  avia-builder-el-last'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1keb7es-b8736886897dc07f79be792fdfb3cd3f\">\n#top #wrap_all .avia-button.av-1keb7es-b8736886897dc07f79be792fdfb3cd3f{\nfont-size:15px;\ntransition:all 0.4s ease-in-out;\n}\n#top #wrap_all .avia-button.av-1keb7es-b8736886897dc07f79be792fdfb3cd3f:hover{\nbackground-color:black;\ncolor:white;\ntransition:all 0.4s ease-in-out;\n}\n#top #wrap_all .avia-button.av-1keb7es-b8736886897dc07f79be792fdfb3cd3f:hover .avia-svg-icon svg:first-child{\nfill:white;\nstroke:white;\n}\n<\/style>\n<a href='https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/Call-for-Contributions_-Symposium-on-Generative-Curation-1.pdf'  class='avia-button av-1keb7es-b8736886897dc07f79be792fdfb3cd3f av-link-btn avia-icon_select-yes-left-icon avia-size-medium avia-position-right avia-color-light avia-font-color-theme-color'  target=\"_blank\"  rel=\"noopener noreferrer\"  aria-label=\"Download CPC\"><span class='avia_button_icon avia_button_icon_left avia-svg-icon avia-font-svg_entypo-fontello' data-av_svg_icon='down' data-av_iconset='svg_entypo-fontello'><svg version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"21\" height=\"32\" viewbox=\"0 0 21 32\" preserveaspectratio=\"xMidYMid meet\" aria-labelledby='av-svg-title-1' aria-describedby='av-svg-desc-1' role=\"graphics-symbol\">\n<title id='av-svg-title-1'>Down<\/title>\n<desc id='av-svg-desc-1'>Down<\/desc>\n<path d=\"M21.12 15.488l-10.56 12.16-10.56-12.16h6.144v-11.2h8.832v11.2h6.144z\"><\/path>\n<\/svg><\/span><span class='avia_iconbox_title' >Download CPC<\/span><\/a><\/div><\/p><\/div><div class='av-flex-placeholder'><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1k0llck-aa4a8c68a22ea0104196d441467f6237\">\n#top 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itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock av_inherit_color'  itemprop=\"text\" ><p><strong>Event Date<\/strong>: 28-29 January 2026<br \/>\n<strong>Location<\/strong>: Malaga, Spain<br \/>\n<strong>Abstract Submission Deadline<\/strong>: December 5th, 2025<br \/>\n<strong>Notification of Acceptance<\/strong>: December 12th, 2025<br \/>\n<strong>Full Paper Submission Deadline<\/strong>: April 1st, 2026<\/p>\n<\/div><\/section><\/div><\/div><!--close column table wrapper. Autoclose: 1 -->\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_6'  class='avia-section av-1grhexw-f2a4a8ae80f8245db351827eb0165b87 main_color avia-section-large avia-no-border-styling  avia-builder-el-39  el_after_av_section  el_before_av_section  gcs-gray avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-3300'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-1eli24k-3c7a5a6a0dc70d7121a3f65ab606d1e3\">\n#top .flex_column.av-1eli24k-3c7a5a6a0dc70d7121a3f65ab606d1e3{\nmargin-top:30px;\nmargin-bottom:0px;\n}\n.flex_column.av-1eli24k-3c7a5a6a0dc70d7121a3f65ab606d1e3{\npadding:40px 0 0 0;\nbackground:url(https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/logo-GCS-bg.jpg) 50% 50% no-repeat scroll ;\n}\n.responsive #top #wrap_all .flex_column.av-1eli24k-3c7a5a6a0dc70d7121a3f65ab606d1e3{\nmargin-top:30px;\nmargin-bottom:0px;\n}\n<\/style>\n<div  id=\"Defining-Generative-Curation\"  class='flex_column av-1eli24k-3c7a5a6a0dc70d7121a3f65ab606d1e3 av_one_full  avia-builder-el-40  el_before_av_one_full  avia-builder-el-first  first flex_column_div'     ><section  class='av_textblock_section av-1cr3db8-3f91deacdfecf5540f2405f2d287f516'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"heading-line\">Defining Generative Curation<\/h2>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-1bs9if8-3e2a62c2de4a9803c3ccfb314e0bffbb'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Crucially, we conceive generative curation beyond merely \u201cusing AI as a tool\u201d.  Instead, generative curation treats curatorial practice itself as a programmable, procedural, and co-authored system. For this symposium, we define generative curation as the design and critical deployment of procedures, models, and rule-based systems (computational or hybrid) for curatorial purposes, including collections of art and cultural data, in the context of exhibitions, archives, museums, and cultural institutions. Moreover, these generative systems can iteratively produce, recombine, or adapt curatorial outcomes over time. These outcomes include (but are not limited to) selection and sequencing of works in terms of spatial, temporal, and narrative arrangement; interpretive layers; public programs; and the circulation of documentation.<\/p>\n<p>This symposium stems from the tradition of curation in museums, archives, collections, and galleries. Historically rooted in the traditions of selection, care, and the scholarly contextualization of artworks, the curator's role has evolved to become a central form of artistic and intellectual authorship. While we acknowledge the broad expansion of curatorial practice across domains, materials, and institutional framings, this symposium does not rehearse that expansion. Our focus is precise: to define, interrogate, and advance generative curation. But precisely because of the pervasiveness of these technologies, it expands to the more transversal implications of the curation of culture. The symposium, therefore, raises the question: What is the role of curation in the creation of knowledge? The crucial and radical choice of what to include and how, from a large collection, is now of renewed currency-there is so much material, a fight for exposure and public reach, a transformation of languages, media, and social codes that change the status of art and culture, and their mediated formats through internet culture.<\/p>\n<p>Cultural institutions and independent initiatives increasingly rely on data-driven pipelines, digital platforms, fast and mediatised formats and platforms, and also AI-assisted workfl ows. This raises urgent questions about authorship and accountability; consent, bias, and provenance in datasets; institutional governance; reproducibility and documentation; and the ethics of automation in cultural labor. Generative curation offers both opportunities (scalability, responsiveness, new forms of audience address) and risks (opacity, technical capture, aesthetic homogenization) that demand rigorous debate and demonstration.<\/p>\n<p>Within this expanded landscape, the blurring distinction between artist as curator and curator as artist is increasingly complexified, also by the aperture to collective and more-than-human agency. This raises fundamental questions about how we curate images, text, and other materials through\/with AI models, and how we curate AI-generated content itself. What are the implications of using these tools and not using them? How are generative tools included in the curation process, and how are we defining curating in both the physical and the digital? How are these tools permeating the curatorial discourse and practice? This definition is a point of departure to be tested, refined, and contested so that, collectively, we can map the concept's boundaries. Given the complexity and multidimensionality of curation, the implication of AI models constitutes an active surface of contact that both articulates and reconfigures the many elements, concepts, and actors involved, opening new problems and reformulating previous ones, and, therefore, requires an interdisciplinary, collective, and critical discussion.<\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-18xh8jo-26efee7bc240d28fd274de0122b04656\">\n.flex_column.av-18xh8jo-26efee7bc240d28fd274de0122b04656{\npadding:40px 0 0 0;\n}\n<\/style>\n<div  id=\"Symposium-Focus\"  class='flex_column av-18xh8jo-26efee7bc240d28fd274de0122b04656 av_one_full  avia-builder-el-43  el_after_av_one_full  el_before_av_one_full  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-181htxg-5452a45348b4696ab666a054fe1ebdfa'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3>Symposium Focus:<\/h3>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-16b5bgk-7dfb78f270e9f426b58217938438d17c'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"heading-line\">Emergent Curatorial Practices With and Against AI<\/h2>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-14mo3tw-ef2788d769de3e56ce819b4f24c5793f'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>We propose to investigate how generative technologies compel us to move beyond anthropocentric models of narrative, taste, and judgment. What does it mean to \u00abcurate\u00bb when aesthetic decisions, the construction of exhibition narratives, and even the generation of art itself are shared with non-human agents? This symposium invites contributors to question the core tenets of artistic curation: its epistemological foundations, its claims to authority, and its ethical responsibilities in an era of algorithmic logic.<\/p>\n<p>We invite contributions that re\ufb02ect on the following key topics:<\/p>\n<p><strong>1. The Curatorial Agent: Authorship, Agency, and Judgment<\/strong><\/p>\n<p>The use of algorithmic techniques and, in particular, AI models is often perceived as a challenge to previous understanding of curatorial authorship and aesthetic agency and authority, but does this constitute a delegation of responsibility or a type of co-authorship? Moreover, how does the imposed worldview encoded in different AI models play a role in curatorial narratives? And, is there a place for non-aligned, dissentive narratives or space for disagreement in curatorial practices with AI?<\/p>\n<p><strong>2. Technological Innovations and New Exhibition Methodologies<\/strong><\/p>\n<p>New multimodal AI models\u2019 unprecedented capacity to connect disparate artworks and media can help revisit and challenge traditional art historical categorizations and exhibition narratives, including globalized curatorial formats like the \u2018white cube\u2019. How might AI's capacity to process vast visual and textual data reshape our understanding of art history and the canon itself?<\/p>\n<p><strong>3. Ethical Implications: Algorithmic Bias and Specific Context Analysis<\/strong><\/p>\n<p>There is an increasing awareness of different types of AI biases, but what happens when AI is used for the detection of previously unnoticed biases in collections?<\/p>\n<p>Moreover, does AI's far-reaching sight lead to both the rediscovery of unnoticed figures and practices and\/or a form of algorithmic colonialism? What are the agencies, challenges, and opportunities for generative curation regarding both culturally specific and politically sensitive or con\ufb02ictual contexts?<\/p>\n<p><strong>5. Future Directions: New Art Experiences and Interdisciplinary Frontiers<\/strong><\/p>\n<p>Current experiments inhabit a middle ground and bridge between scientific research and artistic practice, pointing to new interdisciplinary forms of creation and exhibition. How should we reimagine generative curatorial practice without losing touch with traditional art historical and curatorial skills? And, in a context of ever-updating technology, do new generative curatorial projects need to forcefully embrace a context of ever-updating technology? How does this context redefine the concept of a \u2018finished\u2019 artwork? How might AI-driven curation reshape the experience of the participants and audiences?<\/p>\n<\/div><\/section><\/p><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-13mgitg-66f5b31c07aa4be53f45a31f3ecb10aa\">\n.flex_column.av-13mgitg-66f5b31c07aa4be53f45a31f3ecb10aa{\npadding:40px 0 0 0;\n}\n<\/style>\n<div  id=\"Submission-Guidelines\"  class='flex_column av-13mgitg-66f5b31c07aa4be53f45a31f3ecb10aa av_one_full  avia-builder-el-47  el_after_av_one_full  avia-builder-el-last  first flex_column_div  column-top-margin'     ><section  class='av_textblock_section av-11akjok-2e7cc4251af7329c8501b7b84a93b1b6'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"heading-line\">Submission Guidelines<\/h2>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-106uxms-49b4e97adad62a16638d8841bc595f86'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>Two types of submissions are possible:<\/p>\n<p><strong><u>Paper Abstract<\/u><\/strong><u>:<\/u>\u00a0Abstracts should be no more than 300 words.<\/p>\n<p><strong><u>Installation, Experiment, or Object<\/u><\/strong>: Abstracts should be no more than 500 words.<\/p>\n<p><strong><u>Practice<\/u><\/strong>\u00a0<strong><u>reports\/case<\/u><\/strong>\u00a0<strong><u>studies\/demos<\/u><\/strong>\u00a0<strong><u>&amp;<\/u><\/strong>\u00a0<strong><u>prototypes<\/u><\/strong>\u00a0on exhibitions, pipelines, or institutional experiments. Abstracts should be no more than 500 words.<\/p>\n<p><strong>Abstracts\u00a0<\/strong>may include images, videos, or other relevant materials. Each submission should include: a 100-word bio per author; 3-5 keywords; and a brief statement on ethical considerations (data sources, consent, biases, licensing), as applicable. We welcome interdisciplinary contributions from curators, artists, designers, scholars, researchers, technologists, and museum professionals. We encourage engagement with the broader fields of generative art, software studies, and critical AI studies, connecting them back to the core questions of art curation.<\/p>\n<p>Accepted contributions will be shared on the symposium website; a publication is also planned. Full papers for accepted proposals should not exceed 5000 words.<\/p>\n<p>Please submit your contributions via email to:\u00a0<a href=\"mailto:dario.neguerueladelcastillo@uzh.ch\">dario.neguerueladelcastillo@uzh.ch<\/a>\u00a0and\u00a0<a href=\"mailto:nro@uma.es\">nro@uma.es<\/a>\u00a0by\u00a0<strong>December 5th, 2025<\/strong>.<\/p>\n<p>For inquiries, please contact the symposium organisers at the same email addresses.<\/p>\n<p>We look forward to your contributions and to a stimulating exchange of ideas on the future of generative curation in the age of AI.<\/p>\n<\/div><\/section><\/p><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-xvd3r8-4649949c360cb9fae0875cca72dc5e41\">\n.avia-section.av-xvd3r8-4649949c360cb9fae0875cca72dc5e41{\nbackground-color:#f9f9f9;\nbackground-repeat:no-repeat;\nbackground-image:url(https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2025\/11\/GCS-new-bg-2.png), linear-gradient( to bottom right, #f9f9f9, #efefef, rgba(214,87,153,0.2) );\nbackground-position:100% 100%;\nbackground-attachment:scroll;\n}\n<\/style>\n<div id='av_section_7'  class='avia-section av-xvd3r8-4649949c360cb9fae0875cca72dc5e41 main_color avia-section-large avia-no-border-styling  avia-builder-el-50  el_after_av_section  el_before_av_section  gcs-gray avia-bg-style-scroll av-minimum-height av-minimum-height-25 av-height-25  container_wrap sidebar_right'  data-section-bg-repeat='no-repeat' data-av_minimum_height_pc='25' data-av_min_height_opt='25'><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-3300'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-v9ymdg-ff88156f58c915f30e7f45a75091ab71\">\n.flex_column.av-v9ymdg-ff88156f58c915f30e7f45a75091ab71{\npadding:40px 0 0 0;\n}\n<\/style>\n<div  id=\"Program\"  class='flex_column av-v9ymdg-ff88156f58c915f30e7f45a75091ab71 av_one_full  avia-builder-el-51  el_before_av_one_full  avia-builder-el-first  animated-border-section first flex_column_div'     ><section  class='av_textblock_section av-shsfuc-cc64119c102ca4dab287f4cd46ce559d'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"heading-line\">Program<\/h2>\n<\/div><\/section><\/div><div class='flex_column_table av-rxgp90-2924b5a0654b4467d2e953e4e8cd75eb sc-av_one_full av-equal-height-column-flextable'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-rxgp90-2924b5a0654b4467d2e953e4e8cd75eb\">\n.flex_column.av-rxgp90-2924b5a0654b4467d2e953e4e8cd75eb{\nborder-width:1px;\nborder-color:#9b9b9b;\nborder-style:solid;\npadding:10% 3% 10% 3%;\n}\n<\/style>\n<div  id=\"Program\"  class='flex_column av-rxgp90-2924b5a0654b4467d2e953e4e8cd75eb av_one_full  avia-builder-el-53  el_after_av_one_full  el_before_av_hr  animated-border-section first flex_column_table_cell av-equal-height-column av-align-middle  column-top-margin'     ><section  class='av_textblock_section av-2hwiw4-99ddd73baf630e76704502556923caf4'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h3><b>Wednesday, January 28th, 2026<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">15:00-15:15\u00a0 \u00a0 <strong>Institutional opening<\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400;\">15:15-15:30\u00a0 \u00a0 <strong>Event opening\u00a0<\/strong>\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">15:30-16:15\u00a0 \u00a0 <strong>Keynote 1 - Joasia Krysa: <em>Curating After AI - histories and futures of computational curating<\/em><\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400;\">16:15-17:45\u00a0 <strong>Paper presentations 1: Structural &amp; Institutional Shifts. <\/strong><\/span><em><strong>How algorithmic systems are reshaping institutional boundaries and values<\/strong><\/em><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Ana Avelar, T\u00e2nia Sulzbacher (Federal University of S\u00e3o Paul): <em>Wetlands as Interface: Curating Through Institutional Absences and Algorithmic Limits<\/em><\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Linda Rocco (Royal College of Art, London): <em>The Extitutional Curator: Infrastructuring Value at the Edges of Algorithmic Systems<\/em><\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Nadine Isabelle Henrich (House of Photography, Deichtorhallen, Hamburg), Lisa H\u00f6rstmann (Hamburger Bahnhof - Hamburger Bahnhof - Hamburger Bahnhof, Hamburg), Lisa H\u00f6rstmann (Hamburger Bahnhof, Hamburg)<br \/>\nNationalgalerie der Gegenwart, Berlin), and Leslie P. Zimmermann (Reiss-Engelhorn-Museen Mannheim): <em>Countering the Algorithmic Gaze: Museums in the Age of Generative Video<\/em><\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">17:45-18:15\u00a0 \u00a0 <strong>Coffee break<\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400;\">18:15-19:45\u00a0 <strong>Paper presentations 2: Generative Logic &amp; Future Curatorial Models. <\/strong><\/span><strong><em>Theoretical frameworks and new models for curation in the age of AI<\/em><\/strong><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Bassam El Baroni, and Marina Valle Noronha (Aalto University): <em>The Synthetic Curatorium, or, Prompted Collectivity and the Logic of Trustless Synthesis<\/em><\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Paola Nu\u00f1ez del Prado (Stockholm University of the Arts): <em>From Curated Datasets to AI Curation: Towards a Theory of Technocultural Parametrization<\/em><\/span><\/li>\n<li aria-level=\"1\">Juhyun Cho (Centre Pompidou Hanwha Seoul), Sierra Sieun Jeong (Seoul National Univ.), Soojin Jun (Yonsei Univ.): <em>Beyond Comparison: Reconfiguring the Interpretation of Regional Modern Art through Generative Curation<\/em><\/li>\n<\/ul>\n<hr \/>\n<h3><b>Thursday, January 29th, 2026<\/b><\/h3>\n<p><span style=\"font-weight: 400;\">9:45-10:15\u00a0 \u00a0<strong>Terence Broad: <em>AI as artistic material<\/em><\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400;\">10:15-11:30\u00a0 \u00a0<strong>Paper presentations 3<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Dar\u00edo Negueruela (Digital Visual Studies - University of Zurich): <em>From Expanded Context to Epistemic Objects. Experiments in Generative Curation<\/em><\/span><\/li>\n<li><span style=\"font-weight: 400;\">Nuria Rodr\u00edguez Ortega (iArtHis_Lab \/Telef\u00f3nica-UMA Chair, University of M\u00e1laga): <em>Rethinking Generative Curation through Two Cases of Embodied Transduction<\/em><\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">11:30-12:00\u00a0 <strong>Coffee break<\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400;\">12:00-13:30\u00a0 <strong>Round table: <em>From Infrastructure to Ethics: Institutional Strategies for AI in Museums &amp; Cultural Heritage<\/em><\/strong><\/span><\/p>\n<ul>\n<li><span style=\"font-weight: 400;\">Participants:\u00a0<\/span>\n<ul>\n<li><span style=\"font-weight: 400;\">Juhyun Cho (Centre Pompidou Hanwha Seoul)<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Luis Mart\u00ednez Uribe (Juan March Foundation)<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Javier Pantoja Ferrari (Barcelona Supercomputing Centre)<\/span><\/li>\n<li><span style=\"font-weight: 400;\">Idis Hartmann (ZKM Karlsruhe)<\/span><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">13:30-15:00\u00a0 \u00a0<\/span><strong>Lunch<\/strong><\/p>\n<p><span style=\"font-weight: 400;\">15:00-16:30 <strong>Paper presentations 4: Experience, Embodiment &amp; Human Interpretation. <em>The sensory and human experience of generative art and archives<\/em><\/strong><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Sabiana Paoli (Liverpool John Moores University \/ Transart Institute for Creative Research): <em>Embodied Intelligence: Generative Curation and the Sensory Reconfiguration of Curatorial Agency<\/em><\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Richard The, Fr\u00e9d\u00e9ric Eyl (Parsons School of Design):\u00a0 <em>From Archive to Experience: Three Explorations in Generative, Multisensory Encounters with Museum Collections<\/em><\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Johanna Eiramo (Finnish National Gallery): <em>Data, Code, and Context: Human Interpretation in Generative Art Exhibitions<\/em><\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">16:45-17:45\u00a0 <strong>Round table: <em>Curating Superintelligences: AI and Future Curating<\/em><\/strong><\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Joasia Krysa, Liverpool John Moores University<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Magdalena Ty\u017clik-Carver, Aarhus University<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">L\u00edvia Nolasco-R\u00f3zs\u00e1s, University College London<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">CrossLucid, Sylwana Zybura &amp; Tomas Toth\u200b.\u00a0<\/span><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400;\">17:45- 18:15\u00a0 <strong>Wrap-up and preliminary conclusions<\/strong><\/span><\/p>\n<p>18:15-18:30 <strong>Closing session with the participation of Alicia Izquierdo, Councillor for Innovation and Digitalization at M\u00e1laga City Council<\/strong>.<\/p>\n<\/div><\/section><\/div><\/div><!--close column table wrapper. Autoclose: 1 -->\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-kyrpk4-c82e25ced722fee9d7160e169a97e96e\">\n#top .hr.hr-invisible.av-kyrpk4-c82e25ced722fee9d7160e169a97e96e{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-kyrpk4-c82e25ced722fee9d7160e169a97e96e hr-invisible  avia-builder-el-55  el_after_av_one_full  el_before_av_button'><span class='hr-inner'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n<div  class='avia-button-wrap av-ji14sk-e356786a26c67340758d9dd08e64c875-wrap avia-button-left  avia-builder-el-56  el_after_av_hr  el_before_av_button  gcs-gray-nolink'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-ji14sk-e356786a26c67340758d9dd08e64c875\">\n#top #wrap_all .avia-button.av-ji14sk-e356786a26c67340758d9dd08e64c875{\nfont-size:17px;\ntransition:all 0.4s ease-in-out;\n}\n#top #wrap_all 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avia-button-left  avia-builder-el-57  el_after_av_button  el_before_av_hr  gcs-gray-nolink'>\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-mlanhf48-ec1c2210e80224047eae1095120ca956\">\n#top #wrap_all .avia-button.av-mlanhf48-ec1c2210e80224047eae1095120ca956{\nfont-size:17px;\ntransition:all 0.4s ease-in-out;\n}\n#top #wrap_all .avia-button.av-mlanhf48-ec1c2210e80224047eae1095120ca956:hover{\nbackground-color:black;\ncolor:white;\ntransition:all 0.4s ease-in-out;\n}\n#top #wrap_all .avia-button.av-mlanhf48-ec1c2210e80224047eae1095120ca956:hover .avia-svg-icon svg:first-child{\nfill:white;\nstroke:white;\n}\n<\/style>\n<a href='https:\/\/catedratelefonicauma.es\/wp-content\/uploads\/2026\/02\/Book-of-Abstracts-Generative-Curation-Smyposium-4.pdf'  class='avia-button av-mlanhf48-ec1c2210e80224047eae1095120ca956 av-link-btn avia-icon_select-yes-left-icon avia-size-large avia-position-left av-icon-on-hover avia-color-grey avia-font-color-theme-color'  target=\"_blank\"  rel=\"noopener noreferrer\"  aria-label=\"Download Book of Abstracts\"><span class='avia_button_icon avia_button_icon_left avia-iconfont avia-font-entypo-fontello-enfold' data-av_icon='\ue87d' data-av_iconfont='entypo-fontello-enfold' ><\/span><span class='avia_iconbox_title' >Download Book of Abstracts<\/span><\/a><\/div>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-how3hw-aa6ef0c7be75fcaec65a24d8d3f581fa\">\n#top .hr.hr-invisible.av-how3hw-aa6ef0c7be75fcaec65a24d8d3f581fa{\nheight:30px;\n}\n<\/style>\n<div  class='hr av-how3hw-aa6ef0c7be75fcaec65a24d8d3f581fa hr-invisible  avia-builder-el-58  el_after_av_button  avia-builder-el-last'><span class='hr-inner'><span class=\"hr-inner-style\"><\/span><\/span><\/div>\n\n<\/div><\/div><\/div><!-- close content main div --><\/div><\/div><div id='av_section_8'  class='avia-section av-fwhupg-d3050d5f39b08c8da8917341b5beb29f main_color avia-section-large avia-no-border-styling  avia-builder-el-59  el_after_av_section  avia-builder-el-last  gcs-gray avia-bg-style-scroll container_wrap sidebar_right'  ><div class='container av-section-cont-open' ><div class='template-page content  av-content-small alpha units'><div class='post-entry post-entry-type-page post-entry-3300'><div class='entry-content-wrapper clearfix'>\n\n<style type=\"text\/css\" data-created_by=\"avia_inline_auto\" id=\"style-css-av-eo29tw-2394f3ee1ae747288e595b31a695e77c\">\n.flex_column.av-eo29tw-2394f3ee1ae747288e595b31a695e77c{\npadding:40px 0 0 0;\n}\n<\/style>\n<div  id=\"Organization\"  class='flex_column av-eo29tw-2394f3ee1ae747288e595b31a695e77c av_one_full  avia-builder-el-60  el_before_av_partner  avia-builder-el-first  first flex_column_div'     ><section  class='av_textblock_section av-cerqw4-fc91f1160557e9ceed352fa44a13fab5'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><h2 class=\"heading-line\">Organization<\/h2>\n<\/div><\/section><br \/>\n<section  class='av_textblock_section av-akvpdg-b28f2e572d5ec352b48d1f538400b6f9'   itemscope=\"itemscope\" itemtype=\"https:\/\/schema.org\/CreativeWork\" ><div class='avia_textblock'  itemprop=\"text\" ><p>The <a href=\"https:\/\/catedratelefonicauma.es\/en\/presentacion\/\">Chair on 5G, Digital Culture and Next-Generation Technologies for Society<\/a>\u00a0is founded on the conviction that 5G technologies, next-generation networks, and, more broadly, emerging technological developments will play a crucial role in the social, cultural, business, economic, and scientific transformation that will define our future.<\/p>\n<p>The\u00a0<a href=\"http:\/\/www.dvstudies.net\/\">Center for Digital Visual Studies<\/a>\u00a0at the University of Zurich and funded by the Max Planck Society.<\/p>\n<p>The<a href=\"https:\/\/www.biblhertz.it\/en\">\u00a0Bibliotheca Hertziana - Max Planck Institute for Art History<\/a>\u00a0promotes scientific research in the field of Italian and global history of art and architecture. Established as a private foundation by Henriette Hertz (1846-1913), it was inaugurated in 1913 as a research centre of the Kaiser-Wilhelm-Gesellschaft. Today, the Bibliotheca Hertziana is part of the Human Sciences Section of the Max Planck Society and is considered one of the world's most renowned research institutes for art history.<\/p>\n<p><a href=\"https:\/\/complexhibit.eu\/es_es\/\">The Complexhibit Project<\/a> (PID2021-125037NB-I00): Study and Interpretation of the Art Exhibition Domain as a Complex Cultural Ecosystem through Data Analytics and NLP.<\/p>\n<p><a href=\"https:\/\/iarthis.iarthislab.eu\/\">iArtHis_Lab<\/a>,University of M\u00e1laga. A research, training, and innovation laboratory focused on the study of artistic culture from digital, computational, and techno-critical perspectives.<\/p>\n<\/div><\/section><\/p><\/div><div  class='avia-logo-element-container av-9f6pvo-9df4233f6a7a2e6ee5380fa8767a7745 av-border-deactivate avia-logo-grid avia-content-slider avia-smallarrow-slider avia-content-grid-active noHover avia-content-slider-odd  avia-builder-el-63  el_after_av_one_full  avia-builder-el-last  avia-content-slider1' ><div class='avia-smallarrow-slider-heading  no-logo-slider-heading'><div class='new-special-heading'>&nbsp;<\/div><\/div><div class=\"avia-content-slider-inner\"><div class=\"slide-entry-wrap\"><div  class='slide-entry av-2x32tg-eefb6806a3ad0593ad1a58eef8ffcb8b flex_column no_margin av_one_seventh real-thumbnail post-entry slide-entry-overview slide-loop-1 slide-parity-odd  first'><a href=\"https:\/\/catedratelefonicauma.es\/en\/\" data-rel='slide-1' class='slide-image' title=''  target=\"_blank\"  rel=\"noopener noreferrer\"><span class='av-partner-fake-img' style='padding-bottom:100%; 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